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26 Contemporary Books That Should Be Taught In High School -1GOT NEWS

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How Richard Madden Brought Prince Charming To Life -1GOT NEWS

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JP Morgan May Sell India Mutual Fund Business: Report-1GOT NEWZz

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Daniel Franzese Is Still Breaking New Ground 10 Years After "Mean Girls" -1GOT NEWS

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John P. Johnson / HBO

Eddie on HBO’s Looking is a rarity on television. The full-figured, HIV-positive gay man isn’t ashamed of his body or his status, which has helped make him the breakout character on the stellar second season of the series.

The character was exactly what Daniel Franzese, still best known for his turn as Damian in 2004’s Mean Girls, had been holding out for. The actor, who came out in an open letter to his Mean Girls character last year, had been offered many roles in the 10 years since, but he wasn’t willing to settle.

"Big dudes get left out of the gay lexicon."

“For the most part, nothing was as progressive as Damian was,” Franzese told BuzzFeed News at Alcove Café in Los Feliz, California, recently. “I felt like Damian was unapologetically himself, and really progressive and had a story arc, and had feelings. Literally, a lot of the characters were just token gays during the initial gaysploitation period we were experiencing in the early noughties.”

Looking’s San Francisco-based characters are certainly far from “token gays,” but Franzese was reluctant to give the HBO series a try, even as a viewer, because — as many of the show’s most vocal critics have said — there wasn’t “anyone like [him] on the show.”

“Big dudes get left out of the gay lexicon,” Franzese said, recalling a conversation he had with his friend, casting director Lori Malkin, who suggested he correct Looking’s “big dude” blind spot by joining the show.

Though he was doubtful at first, Franzese sent photos to Looking casting director Carmen Cuba, who discovered him and cast him in his first film, 2001’s Bully. By the time Cuba shared the photos with Looking’s creative team, they had already started imagining the character of Eddie — and Franzese was a perfect fit.

Looking executive producer Andrew Haigh offered him the role over breakfast, describing the character of Eddie as happy and healthy, and promising that Eddie would be portrayed as sexy and body positive.

Richard Foreman / HBO

“As an actor, you get grouped into different segments: I’m the Italian guy, I’m the chubby guy, I’m the gay guy,” Franzese said. “A lot of times all those different subgroups get played for laughs, or are just castrated comic relief. This was an opportunity where multiple subgroups were being elevated and treated as humans, and that was so exciting to me.”

Television as a whole has rarely been kind to bigger characters, whether slightly overweight or obese. And Eddie’s proud bear status is an exciting chance for an marginalized subset of the gay community to see themselves on screen, a group of people who probably haven’t felt represented since Mean Girls’ Damian.

“I didn’t see a representation of myself in high school, and years later, I had a lot of people thanking me for Damian,” Franzese remembered. “People saying, ‘Thanks for making it cool to be chubby and gay right before I went into high school.’ If I had the power to do that with that movie, imagine what could happen with me being sexy on a show like Looking. That was the most appealing thing about the job, was being able to be there and be big and proud of myself and my body, and to feel sexy doing it.”

Eddie is a much more grown-up version of his high school counterpart, including the relationship he’s been negotiating with Agustín (Frankie J. Alvarez) throughout Season 2. In the March 8 episode, “Looking for Glory,” Eddie became even more distinctly adult with his first sex scene, during which Franzese went full frontal.

The scene and its aftermath — in which Eddie tries to comfort Agustín, who is freaking out after contact with Eddie’s bodily fluids — is a remarkable display of vulnerability from Franzese’s character, though the actor admitted he was slightly nervous. “Going from my first real kiss on screen to being totally naked is kind of a big deal,” Franzese said. “It just felt like it really was right for the story. One of the things I love about all of the sex on Looking is that, even when it feels sexy and gratuitous, it’s still serving the story first and foremost. I’m a storyteller. I’m an actor-y type actor. And I think once I was there, I felt really free to do it in order to tell the story properly.”

"It's time for bigger dudes to rise up and get the guy."

But beyond that, it was important for Franzese to be naked and have it presented as something desirable and attractive. On television, any not-thin body tends to get dismissed or relegated to the butt of jokes. Looking’s insistence on making Eddie a sexually viable character is one of the show’s most transgressive aspects. And it reflects a reality for Franzese, who does not feel any less attractive because of his weight.

“I have a very fulfilled sexual life. I’ve never had a problem meeting guys,” Franzese said. “To me, I think that should say something. It’s time for bigger dudes to rise up and get the guy.”

But Eddie is groundbreaking not only because of what he looks like, but because there are hardly evercharacters living with HIV on television. Until the season finale of How to Get Away With Murder, Eddie was the only HIV-positive character on a current series — and he breaks the mold further by being able to live a full, happy life while talking openly about the disease.

“America had a big influx of HIV-positive representation on screen, very special episode of The Golden Girls and whatnot, and then that sort of died out in the mid-‘90s,” he said. Those very special episodes of series like The Golden Girls and Designing Women largely focused on the fear of contracting HIV, teaching valuable lessons about how HIV is transmitted, and why it’s important to show compassion for HIV-positive people. But that particular teaching moment is behind us, and — unlike How to Get Away With Murder — Looking is not interested in a retread. If there is a lesson to be gained through Eddie, it’s that HIV-positive people can live relatively normal lives.

"We have all the tools to cut down HIV by 96% — we're just not using them."

Since joining Looking, Franzese has become an ambassador for the Elizabeth Taylor AIDS Foundation, which has kept him educated on current advancements in HIV treatment and how HIV-positive people live their lives in 2015. The show has also sought to keep up with the current conversation. In the Feb. 15 episode, “Looking for Truth,” for example, Agustín asks about Eddie’s cocktail of pills, a reference to the way HIV was once treated. Eddie explains that he takes a single daily pill for his treatment; the rest are standard vitamins. And in the Feb. 22 episode, “Looking for Gordon Freeman,” the characters debate the merits of Truvada or PrEP, a pill taken by some as a prophylactic against HIV infection. Like Eddie in that installment, Franzese has strong opinions about the merits of the drug.

“It’s important that people know about it. It’s a great tool in preventing HIV. We have all the tools to cut HIV down by 96% — we’re just not using them,” he said. “If you take PrEP and if you wear a condom, it’s virtually impossible for you to contract the HIV virus. I think that’s an important idea that everyone needs to know.”

HBO / Via out.com

The actor also has a close friend named Ryan, who is HIV-positive and has given him guidance when it comes to playing Eddie. Through Ryan, Franzese has seen first-hand how important and groundbreaking a character like Eddie really can be.

“We have coffee every morning together, and I think a lot of his story spilled into Eddie’s story,” he said. “Ryan had tears in his eyes hearing that this character was able to date and nothing was wrong with him.”

His friend’s response has only confirmed for Franzese that he was right to join Looking.

“Eddie is living a fulfilled life, changing other people’s lives by working in the shelter and doing good things,” he concluded. “That was a huge motivator for me.”

Inflation Data, Global Cues to Set Tone for Markets: Experts-1GOT NEWZz

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"The Hunchback Of Notre Dame" Musical Is Not Your Average Disney Production -1GOT NEWS

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The musical, now running at New Jersey’s Paper Mill Playhouse, combines the Disney film’s score with the more adult themes of Victor Hugo’s classic novel.

Michael Arden as Quasimodo in The Hunchback of Notre Dame musical

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It'd be challenging to find a moment in a Disney animated movie as harrowing as the "Hellfire" sequence in The Hunchback of Notre Dame. The scene follows the morally conflicted Frollo as he tries to reconcile his lustful feelings for Esmeralda with his strong religious convictions. And as Alan Menken, who wrote the score to the movie, put it in an interview with BuzzFeed News, it's simply "one of the boldest, most amazing animated sequences ever."

Though the sexual subtext likely went over the heads of the countless children who've watched the film since its release in 1996, it's long been clear to the creative team behind the new Hunchback of Notre Dame musical, now playing at New Jersey's Paper Mill Playhouse after a successful run in La Jolla, California.

"The obsessions and passions that were in the Disney movie actually were quite startling to me," the musical's book writer Peter Parnell told BuzzFeed News. "I was really knocked out by it."

Menken — who wrote the score with lyricist Stephen Schwartz — Parnell, and the rest of the Hunchback musical team have leaned into the more adult themes in Victor Hugo's classic novel upon which both the animated movie and play are based. It's a slightly different version from the first theatrical adaptation of the Disney film, which ran in Berlin from 1999 to 2002: In the stateside production, for example, the comic relief gargoyles have been cut.

On the U.S. stage, Hunchback's darkness is more palpable than ever. If the Disney movie hinted at Frollo's inappropriate urges for the gypsy Esmeralda, the musical dives into his predatory desire, with the judge explicitly offering to spare her life if she'll sleep with him. Disney, this is not.

"What we felt from the very beginning that we wanted to do is really make this stage adaptation for an adult audience, and really commit to the tone and the complexity and the darkness of Hugo's novel," director Scott Schwartz, son of Stephen, told BuzzFeed News.

And though Schwartz's musical is not being billed as "Disney's Hunchback," it is being produced with the full support of the Disney Theatrical Group, which has been responsible for hits like Aladdin, The Lion King, and Newsies. To their credit, instead of asking the show's creative team to pull back on the adult content, Disney Theatrical has allowed for a much more complex interpretation of the source material, culminating in a show that's more Les Mis than Little Mermaid.